好禮必備Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood新款

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內容簡介: 博客來書店博客來網路書局 From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema? traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multilocal process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through transregional and trans-national interactions that also produced a vision of Chinese cinema.

Among the book's highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood’s fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong's Infernal Affairs and the wholesale incorporation of 'Chinese elements' in Kung Fu Panda 2.

Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach, a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking.
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國際行銷

  • 出版社:香港大學出版社    新功能介紹
  • 出版日期:2013/11/01
  • 語言:英文

好禮必備Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood新款

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內容來自YAHOO新聞

東京女子流看展 享受馬來貘壁咚

山邊未夢(左起)作勢被馬來貘壁咚,新井瞳、中江友梨、庄司芽生上前助陣。(盧禕祺攝)中國時報【李姿瑩╱台北報導】

日本5人女團東京女子流日前4度來台,一下機就奔向松山文創園區「爽啾貘不正經學園」插畫新勢力特展。她們上月為「日本授權展」中的台灣館站台,對插畫家Cherng筆下的馬來貘印象深刻。此次二度與馬來貘相見,忍不住對這位老朋友「動手動腳」,完全不需日文翻譯講解。

怪異體操搞笑

隊長山邊未夢開心說,「爽啾貘」展布置成學校,對平均年齡18歲的她們非常熟悉。她看到馬來貘壁咚造型看板,忍不住自動「對號入座」,害羞享受被壁咚快感。由於馬來貘日文名字為「LAIMO」,她們不時把「LAIMO」掛在嘴邊,彷彿呼喚好友小名。

因成員小西彩乃腰傷,她們來台4缺1,但看展興致不減。擅長舞蹈的她們兩兩一組,挑戰體感互動健身操;即使穿著短裙,仍大膽挑戰怪異體操動作,搞笑樣貌被螢幕定格拍攝,團員全都忍不住笑翻。

逛到不想離開

中江有梨和莊司芽生看完展後感慨,因為日本少見這種「不正經」的展覽,團員觀展經驗並不豐富。新井瞳帶頭在黑板上塗鴉簽名,4人逛到捨不得離開,最後拍攝專屬「爽啾貘大頭貼」,為本次台灣行留下紀念。

新聞來源https://tw.news.yahoo.com/東京女子流看展-享受馬來貘壁咚-215004924.html

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

好禮必備Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood新款

博客來,博客來網路書店,博客來網路書局,博客來書店,博客來網路書店歡迎您
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