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會員獨享From Fu Manchu to Kung Fu Panda：Images of China in American Film部落客

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內容簡介: “From Fu Manchu to Kung Fu Panda chronicles the struggle within Hollywood film to come to grips with American ambivalence toward China as a nation against the backdrop of its current economic and geopolitical ascendancy on the world stage. Reaching back to early film portrayals of Chinatown, Christian missionaries, warlords, and perverse villains bent on world domination, Greene moves from the ‘yellow peril’ to the ‘red menace’ as she examines WWII and Cold War cinema. She also explores the range of film fantasies circulating today, from films about Tibet to Chinese American independent features and the global popularity of kung fu cartoons. This accessible book allows these films to speak to the post 9-11/Occupy Wall Street generation and makes a welcome contribution to debates about Hollywood Orientalism and transnational Chinese film connections.”—Gina Marchetti, author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema

博客來網路書店“A significant work of filmography, Naomi Greene’s book explores the exotic, at times menacing, but always fantastic images of China flickering on the silver screen of the American imagination. The author writes lucidly, jargon-free, and with the sure-footedness of a seasoned scholar.”—Yunte Huang, author of Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History
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博客來書店Throughout the twentieth century, American filmmakers have embraced cinematic representations of China.? Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of intense and conflicting impulses that have surrounded China. They make clear that China has often served as the very embodiment of “otherness”—a kind of yardstick or cloudy mirror of America itself. It is a mirror that reflects not only how Americans see the racial “other” but also a larger landscape of racial, sexual, and political perceptions that touch on the ways in which the nation envisions itself and its role in the world.

In the United States, the exceptional emotional charge that imbues images of China has tended to swing violently from positive to negative and back again: China has been loved and—as is generally the case today—feared. Using film to trace these dramatic fluctuations, author Naomi Greene relates them to the larger arc of historical and political change. Suggesting that filmic images both reflect and fuel broader social and cultural impulses, she argues that they reveal a constant tension or dialectic between the “self” and the “other.”? Significantly, with the important exception of films made by Chinese or Chinese American directors, the Chinese other is almost invariably portrayed in terms of the American self. Placed in a broader context, this ethnocentrism is related both to an ever-present sense of American exceptionalism and to a Manichean world view that perceives other countries as friends or enemies
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  作者： Naomi Greene    新功能介紹
• 出版社：香港大學出版社    新功能介紹
• 出版日期：2014/06/30
• 語言：英文

會員獨享From Fu Manchu to Kung Fu Panda：Images of China in American Film部落客

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內容來自YAHOO新聞

東莞市存款逾5兆 富可敵省

（中央社記者張謙香港7日電）據報導，中國大陸廣東省東莞市的銀行存款突破人民幣1兆元（約新台幣5兆元），超越個別省份或自治區的存量，包括海南、西藏、青海和寧夏。

南方都市報今天報導，東莞的存款總量邁進「萬億俱樂部」，在大陸全國非省會地級市中排名第4。

報導指出，據中國人民銀行東莞中心支行提供的資料，截至7月底，東莞本外幣各項存款餘額達1兆67.8億元，繼廣州、深圳、佛山之後省內第4個存款規模達到1兆元的地區。

報導表示，東莞存款總量超過了海南、西藏、青海、寧夏4個省（自治區）。

據報導，去年6月，東莞全市銀行的存款量只有9000億元，今年7月即迎來一次歷史性跨越。

東莞金融工作局方面表示，這標誌著東莞金融實力和服務實體經濟發展能力邁上了一個新台階。

工作局方面並指出，東莞存款總量超過兆元大關，且人均存款排名靠前，說明東莞經濟蓬勃發展，居民財富持續成長，東莞的城市居民在持續發展的經濟大潮中獲得良好的收入。1040807

新聞來源https://tw.news.yahoo.com/東莞市存款逾5兆-富可敵省-030038703.html

會員獨享From Fu Manchu to Kung Fu Panda：Images of China in American Film部落客